One more image to add to the vast gallery appearing everywhere celebrating Zaha Hadid.
This is from the Guy Fawkes trip a couple years back.
Seize the day and then some
One more image to add to the vast gallery appearing everywhere celebrating Zaha Hadid.
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6:28 PM
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Labels: architecture, art, photography, public art
Continuing adventures in music.
The Ecstatic Music Festival at Merkin Hall.
Yo La Tengo performing the music of Alvin Lucier. Bringing it to the molecular level, taking microphones to the scale of microscopes.
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8:32 PM
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Labels: ecstaticmusic, music, performance
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6:09 PM
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Labels: air travel, architecture, art, photography
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4:12 PM
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Labels: photography, sports, travel
More Ai Weiwei. Who knows something about blogs.
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6:21 PM
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Labels: activism, art, London, museums, photography, sculpture, travel
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4:42 PM
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Labels: architecture, art, photography, travel
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11:45 AM
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Labels: architecture, art, holidays, music, photography
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12:40 PM
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Labels: architecture, art, election, photography, politics, religion
“Trump’s candidacy, it has exposed not just that tragic, the ramifications of that betrayal of a transformation of our country, but too, he has exposed the complicity on both sides of the aisle that has enabled it, O.K.?”
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11:13 AM
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Labels: election, media, politics, Rise of a New American Fascism
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3:08 PM
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Labels: Chanukkah, Christmas, holidays, photography, Santa
The question of why our show was called Macbeth of the Oppressed has come up several times, from several different quarters. There was no evident reference to the work of Augusto Boal, and the idea of a near-future setting/forces of political correctness that showed up in some of the initial advertising flavor/promotion materials had fairly well evaporated by the time we got to rehearsals.

Now, I was simply an actor in this show, and the question was not addressed at length in the rehearsal room, at least not in my presence, but my thoughts on our arguably oblique title boil down to race, gender, and sexuality as they are presented/performed in civic and military life.

We live in a time and place where there is at least some kind of appetite for diversity in the world of creating theater. And while this impulse does intersect with the population in general, there is a decided lag in the public sphere. We are still waiting for a female head of state in this country, and there are precious few out queer leaders of governments or military branches anywhere in the world.

Note that those links refer to positions held within the last single-digit number of years. Note at the same time that some of the forms of oppression inherent in that fact would seem to have been absent, in some important ways, in the ancient world. I contend that the title of our show asks what that might tell us about the concepts of 'progress,' 'power,' and, not least, 'oppression.'

And that's what I have to say about that.
Also, since we're on the subject of witches, Happy Halloween!
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4:02 PM
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Labels: acting, activism, art, military, photography, policy, politics, theater
Social Summer is ending. Meteorological Summer endures for a few more weeks.
Stewardship Farms has been our CSA this year. For Labor Day weekend (which is and must be about Labor), I'm posting some photos of recent food from our farm share.
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4:03 PM
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Labels: farming, food, labor, photography
Listening to the new Neil Young album, because of course I am. It has taken a certain amount of heat in the critical community for being maybe a wee bit unsubtle, perhaps unartful in its lyricism. And whatever, maybe they have a point. But there’s something that downright tickles me about this particular crotchety grungy grumpy Old Man deciding to make a record themed around abuses in agribusiness and rampant capital and then come right out and name it “The Monsanto Years.” Whilst rocking as hard as he ever did. Just sayin’.

In related news, Donald Trump continues to be a dipshit.
[And in related news of a different kind, I'm wondering if Southern Man has been getting a little more play lately...]
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12:28 PM
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Labels: activism, music, Neil Young, politics