“People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are “The Advertisers” and they are laughing at you.
You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity.
F*ck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head.
You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.” — Banksy
Tuesday, November 30, 2010
Monday, November 29, 2010
Being thankful for friends is one of the most fundamental forms of gratitude for me; my family of friends is an amazing source of support, and I can't believe how lucky I am to have them.
Kanye's new record may not be quite as good as all the hype, but it's pretty effin' good.
I'm thankful I live in New York. And New Jersey.
Monday, November 22, 2010
C: So what hospital do you work at?
B: (Supressing a laugh) Grey's??
C: Nice hospital...
Me: I mean Grace. Seattle Grace.
C: Oh yes, I've heard of that one.
B: You had some trouble there recently.
C: A pretty bad shoot up, I heard.
C: I guess you weren't there for that.
B: (supresses another laugh)
Me: Oh right. That. Yes. No. I wasn't there when that happened. They called me in to help with the aftermath.
C: I heard there's a fiery lady there who really stirs things up.
C: A black doctor, I think.
Me: Oh, yes. Chandra... something.
B: (cracks up)
C: (looks at me like I fell off the short bus for remedial
Wednesday, November 17, 2010
Getting tired of Paris? Hope not. Remember what Samuel Johnson said of London: "When a man is tired of London, he is tired of life..." I figure that can be said about Paris too. (Not to belabor the Paris/London connection, but it's been bouncing around for centuries, after all.)
Still, we're on the home stretch as far as blogification of our visit. Today, we'll touch on a couple more churches.
On Sunday morning, we went to Mass at Saint-Sulpice. The second largest church in Paris (after you-know-what) it was built in the 17th and 18th centuries, damaged during the Revolution, and restored by a team that included Eugene Delacroix. It also has some renown as the spot where Charles Baudelaire and the Marquis de Sade (that famously observant Catholic) were baptised, and where Victor Hugo was married (hmm... I'd have thought it'd have been you-know-what for him). And a couple scenes of The Da Vinci Codetake place there, if that's your thing.
But we went there for the organ.
I'm not a total organ geek, but I'm getting there. And St. Sulpice is a pretty good place to get started on that track. The instrument itself was built by Aristide Cavaille-Coll and is considered one of the greatest masterpieces in the world (well, the world of pipe organs, anyway). The St. Sulpice organ is singular not just for its immensity but also for its versatility: the variety and scope of the sounds and timbres that can be produced by its 5 keyboards and 100+ stops allows the organ to be equally at home with the music of its native Romantic era and with Classical or Baroque music, and more than capable of handling Modern compositions as well.
Since Cavaille-Coll completed construction on the organ in 1862, there have been only 6 principal organists (including an entire century from 1870-1971 during which only 2, Charles-Marie Widor and Marcel Dupré, held the post). Equally amazing is the fact that since the earliest organ was used at a church on this site, going back to some time in the 1500s, there have been only 16 principal organists.
These days, the title is held by Daniel Roth, who plays for two Masses each Sunday, and gives a 20-30 minute concert in the time between them. We went to the early service (but missed most of the prelude music because we were across the street having coffee) and stayed for the concert, natch. If you're really hardcore, you can go up to the organ loft for the second Mass and watch Daniel in action; we chose not to go that route, but it was a phenomenal experience, both musically and religious/theatrically.
I didn't take photos that day, so I'll let you hunt down images of l'eglise on your own if you like.
The next day (among other things) we paid a visit to Sainte-Chappelle. I've already mentioned that we caught a piano concert there on Friday evening; but this visit took some persistence to get past an overeager security guy. (But that's another box of wine.) It was also during the day, so we got to see the stained glass in all its glory.
The Rose Window
Here's the thing with Sainte-Chappelle: it's unbelievable. As in, it nearly defies belief. The facts about this church fall into the "truth is way stranger than fiction" category.
The Holy Family going to Nazareth
It's not that large. It really is 'just' a stone chapel (compared to, say, the Cathedral across the Île) though a very royal one, and an architectural and artistic wonder. The sanctuary walls are completely covered with stained glass: panels telling virtually every story from the bible, and a few "Go France!" type messages tucked in along the way.
This is some of the best of this kind of glass in the world; it's under restoration (which takes a long time, as you can imagine) and it's kind of tough to shoot, so have mercy on your humble photographer.
Knights and Pilgrims, doing their thing
Remember how long it took them to build Notre Dame? Couple hundred years. Know how many years it took to build this place? Fewer than 10. Thousands of panels of stained glass and all, and before the dawn of the 14th Century.
Priests and Sages discussing the design of the Girl Scout logo
The king in question was (Saint) Louis IX, who was one-of-a-kind: a peculiar mix of devout and suggestible. He loved the Church, loved the Pope, loved Jesus. LOVED them. Kind of went to crazytown in his enthusiasm, and spent vast fortunes on things like the "true" Crown of Thorns that Jesus wore at the Crucifixion, according to the account. Vast. Fortunes. Louis spent 135,000 livres (French currency of the era) in 1239 on that crown, convinced of its authenticity by Emporer Balwin II of Byzantium, who not coincidentally was also the guy who sold it to him. The king also bought a bunch of other relics, including a "Piece of the True Cross" (I know, I know) and over the next few years started construction on this church to house them all, dedicated to the glory of God, the Church, and France.
One of Herod's servants beheading John the Baptist, and wishing it was Louis IX
By the middle of 1248, the church was finished at a total cost of 40,000 livres. That's less than a third of the cost of the True Crown of Thorns to you and me, but still a princely sum. Well, kingly, in this case.
A bizarre initiation ritual for a Holy Roman Fraternity
All snarkiness aside, Sainte-Chappelle is a stunning place. And after all, Louis IX is far from the only head of state in history with a gullible streak. [I'll pause to let you reflect on that a moment...] And if you're going to misuse the public coffer, there are worse things you could do than build an incredibly gorgeous structure devoted to a supremely artistic account of religious texts and local history.
I'll leave you with a shot I took of the ceiling of the upper chapel. Placed the camera on the floor and set the remote timer so it could be perfectly still for a long exposure.
Wasn't counting on the surprise guest, but I'll call it a happy accident.
Monday, November 08, 2010
1944: The Commonwealth of Massachusetts v. Igor Stravinsky.
Well, almost: Stravinsky was not arrested in Boston for writing an unconventional arrangement of The Star-Spangled Banner, as online mythology would have it. However, his version of the National Anthem was Banned in Boston on the logic that he was "tampering with public property."
This mugshot, often conflated with the Anthem incident, would seem actually to be from some kind of visa application process. How he got banged up? That's a story I don't know, but would love to hear...
Wednesday, November 03, 2010
Monday, November 01, 2010
At risk of beating a proverbial dead horse: please vote tomorrow, y'all.
By way of encouragement, I'll just remind you that it's the simplest and most direct form of participation in a democracy, even one as lopsided and, well, semi-fictional as the one currently operating in the U.S.A. Oh, and you may want to remind your friends in other parts of the country to vote. (That would be the second most direct form of participation.)
And since we're here, I may as well link to a Frank Rich piece from the Times last weekend.
Karl Rove outed the Republican elites’ contempt for Tea Partiers in the campaign’s final stretch. Much as Barack Obama thought he was safe soliloquizing about angry white Middle Americans clinging to “guns or religion” at a San Francisco fund-raiser in 2008, so Rove now parades his disdain for the same constituency when speaking to the European press.
Now, that makes me insane. Not because it shines a light on politicians' hypocrisy (I consider that to be pretty much a constant). The thing that scratches my blackboard is that he refers to Obama 'soliloquizing' to those patrons, when everyone knows that a soliloquy happens when you're alone. This offends me as an actor even more than as an activist. Obama wasn't in soliloquy mode; he was addressing a crowd. You really are pretty safe soliloquizing, no matter what you say, unless maybe the room is bugged, or your uncle is hiding behind a curtain. That's the whole point of a soliloquy. Maybe not everyone knows that, but one person who really really should know is the guy who used to be the f*$king DRAMA CRITIC FOR THE NEW YORK F*#KING TIMES. That drives me out of my mind.
Back to the matter at hand, I will close with another useful illustration from Mr. Rich's otherwise worthwhile op-ed, which I do suggest you read.
For sure, the Republican elites found the Tea Party invaluable on the way to this Election Day. And not merely, as Huckabee has it, because they wanted its foot soldiers. What made the Tea Party most useful was that its loud populist message gave the G.O.P. just the cover it needed both to camouflage its corporate patrons and to rebrand itself as a party miraculously antithetical to the despised G.O.P. that gave us George W. Bush and record deficits only yesterday.
Rupert Murdoch’s Fox News and Wall Street Journal have been arduous in promoting and inflating Tea Party events and celebrities to this propagandistic end. The more the Tea Party looks as if it’s calling the shots in the G.O.P., the easier it is to distract attention from those who are actually calling them — namely, those who’ve cashed in and cashed out as ordinary Americans lost their jobs, homes and 401(k)’s.
Hope that all of you who went to D.C. for the rally had a great time! Go out there and vote, won't you please?