Saturday, March 23, 2013
Steubenville
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2:55 PM
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Do you still go outside?
"Just as water, gas, and electricity are brought into our houses from far off to satisfy our needs in response to a minimal effort, so we shall be supplied with visual or auditory images, which will appear and disappear at a simple movement of the hand, hardly more than a sign."
-Paul Valery, 1931
Instant access to everything: all the music ever recorded, all the words ever written, all the pictures ever drawn, photos of every sculpture molded, carved, or cast. Footage, accounts, and descriptions of any event you care to witness or recall. The history of people and of nations. A 3-D rendering of any item that could be imagined. Economic information and mathematical formulations. Erotic fantasies, comedic interludes, pithy remarks, athletic exhibition, action and suspense, diversion without end.
And then what?
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Labels: media, online culture, writing
Friday, March 22, 2013
Things Fall Apart
Ave Atque Vale Chinua Achebe.
"It is the story that saves our progeny from blundering like blind beggars into the spikes of the cactus fence. The story is our escort; without it, we are blind."
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Labels: activism, heroes, history, literature, writing
Thursday, March 21, 2013
Tuesday, March 12, 2013
Sunday, March 10, 2013
Yo La Town Hall, or, Big Week, part three
Part three would properly be about the Steppenwolf production of Who's Afraid of Virginia Woolf? we saw that Friday. All I'm going to say about that right now is that it was brilliant, and quite a contrast to any Valentiny sentiment that lingered from the previous evening.
But this post is about the Yo La Tengo concert at Town Hall that Saturday.
They were incredible, of course. They did kind of a Rust Never Sleeps-type show, with a mostly acoustic Side A set, and a louder electric Side B set [including two versions of Ohm, which continues to reveal its versatility layer by layer - on Fade, on the Fallon show, at their bookstore appearance]. Both were fantastic. Love the new record, loved the show, love these guys and looking forward to seeing them again at Solid Sound in June.
Sadly, that Jimmy Fallon link no longer takes you to an active video of their performance. So to make up for that, here are two videos YLT have graciously made available on the internets.
First, Ohm:
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Labels: music, photography, video, yo la tengo
Oh, the Places We Go!
Much has happened. You won't hear about most of it. Unless you ask.
Of course, things happened to you too. Can't wait to hear about them!
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12:27 PM
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Labels: photography, travel
Friday, February 22, 2013
Big Week, part two (the Food Episodes)
More on last week's happenings:
This is a Perfect Valentine Manhattan, adapted from the classic recipe with Hudson Manhattan Rye, Dolin Dry Vermouth, Carpana Antica Sweet Vermouth, peychaud and orange bitters, and Morello cherries.
Watercress soup, with a whiskey cream. (This was actually an exciting discovery, and is a strong contender to be T-Day worthy...)
Haricots verts (ok, they were green beans - hey, I'm in 'fancy waiter' mode.) in a Kürbiskernöl and lemon glaze.
Roasted fingerling potatoes with tarragon and thyme.
Filet mignon with mushrooms, adapted from a recipe by James Beard.
Vermont ice cream, made with milk from happy cows and rich organic chocolate.
No visual stimulation for you today - I haven't been feeling the 'take pictures of food' thing lately. I'm sure I will revert.
Stay tuned...
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12:46 PM
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Labels: drinks, food, holidays, valentine's
Thursday, February 21, 2013
Big Week
It was a big week.
A big project at the dayjob took a lot of my time and energy in January (along with one or the other of us being sick for what felt like the whole month). When that project/event ended, I was able with a short transition period to get back into my normal rhythm. Last week sort of took that to another level.
Mike Daisey at Joe's Pub on Monday night. Mike's taken some stupid amounts of heat over the last year or so. I've written about him here before and probably will again, but I haven't devoted any real space to the NPR/This American Life controversy. You probably know all about that, and if you don't there is plenty to read and listen to out there about it. What I'll say on the subject is that Mike did a hell of a job drawing attention to what's going on in tech manufacturing (and tech reporting) and created a brilliant show in the process. Or vice versa. And while I'm not going to get behind the whole "it's all true" thing, I do maintain that a playwright is not the same thing as a journalist, even a playwright whose stock in trade is distant travel, immersive research, and real world goings-on with real world stakes.
I've already gone on more about this than I wanted to, but I'll wrap up today's discussion of this subject by asking straight out something Daisey touched on obliquely last Monday: how closely have you looked at the workings of the tech industry, and what have you done to affect labor conditions in China? [Oh, and take a few minutes to imagine turning off all your 'connected' devices one day a week. What would that take? How much prep would you need to do? Just asking.]
More to come...
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11:11 PM
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Labels: acting, activism, busy, journalism, social movement, theater
Sunday, February 10, 2013
Les Miserahahahahahaaaaaa!!!
Spoiler Alert(?) You may not want to watch this if you haven't seen the Les Miserable movie yet. But if you have seen it (or don't care about it), For Your Consideration...
Put the "?" there because - even if you haven't seen the film, you've probably seen at least part of the scene the (holy crapballs amazing!!) Emma Fitzpatrick is satirizing, because it's been clipped on every awards show and every talk show and late-night comedy appearance Anne Hathaway has made.
Now let me be Obama clear here: I love Anne Hathatway. I LO-UH-UH-UH-LOVE Anne Hathaway and want to see everything she does. She should probably win some sort of award just for how she handled Matt Lauer, and is a brilliant actress on stage and on screen. And I will shed no tear if she wins an award on Oscar night.
But I also have no beef with those who claim Les Miz iz lame. And this viddy is effin funny.
Saturday, February 09, 2013
Birthday in Hotlanta
For those keeping score at home, last week was Jules' 7th Birthday. Cory gets down to Atlanta for the kids' birthdays pretty much every year, and I join in when I can.
Saturday was the Big Day - not her actual birthday day, but the day of her big party (which involved karaoke, a scavenger hunt, a piñata, and a dancing video game I don't remember the name of.)
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12:39 PM
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Labels: birthdays, family, photography, travel
Thursday, February 07, 2013
Last from London
- Lis Rhodes' Light Music was the setting for the shots that come near the end of the first song. It was part of the Tanks portion of the Tate Modern - which is amazeballs and you should definitely go there. I think that Light Music has closed up and moved out of the space, but we were lucky to catch it while we were there. The projectors practically dared you not to walk in and interact with the light. Luminous and irresistible.
- The sequence about halfway through featuring two light tables in the room with white walls is made up of shots of an Alfredo Jaar piece called Lament of the Images. He's looking at the way people can be so saturated with media images (and words) that they can be blinded by the excess: so many images flood ones view that one stops seeing the content of what is actually being shown. That blindness is revealed in that installation (as I interpret it) by the light that floods the room as the light tables spread apart (the tables become a light source, illuminating the people, objects, and walls themselves, but the light itself ceases to be an object of attention), and conversely by the darkness that pervades when the tables close in together (the beams of light become focal, but the darkness literally prevents one from seeing around it). Beautiful, simple, this piece had a powerful, magnetic draw, and I also enjoyed the lucky arrival of a school group when I went back into the room to grab these shots.
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11:49 PM
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Labels: architecture, art, history, London, military, museums, music, photography, public art, sculpture, travel, video, war
Mumford Barclay
Actually, Mumford & Sons at the Barclays Center in Brooklyn.
'Twas a cry from the heart. 'Twas good.
Now I'm just taking a moment to decompress. It'll be fine.
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12:43 AM
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Labels: music, photography
Sunday, January 27, 2013
Fun with Engineering
A few words about some of the photos toward the end of the video in that last post with video (from Dec. 28). Part of our walking tour (hey, there's a time and a place to roam free, and there's a time to listen to a guy who knows what he's taking about - some of those things are pretty amazing) involved the Thames Tunnel built by Isambard Kingdom Brunel, along with his father Marc Brunel (who actually started the project, came up with the original designs, and whom some claim was the more talented engineer, though history has showered more acclaim on the fils than on the pêre).
The tunnel was not accessible to horse and carriage, so they limited it to foot traffic, and it officially opened in 1843 (about 15 years behind schedule). Economically meh, culturally fascinating. Kiosks opened in the archways, and this place became the place to be - 2 million visitors in its first year, global acclaim as the '8th Wonder of the World,' a bustling, thriving thoroughfare under the Thames. Shops, food, performers, "Fancy Fairs," scientific demonstrations, a vital marketplace and meeting place.
And in 2010, they reopened the caisson to guided visits (you need to grab a rail, clamber down, stepping carefully, pivot round, duck down for a 6-foot long walk through a 4-foot high mini-tunnel before descending the staircase to the open area, but it is open).
And, as chance would have it, they also floodlight the tunnel on Sundays in November. And we just happened to be there in November, and just happened to be staying in Wapping, near the north end of the tunnel. [Ok, ok; those are a couple of the reasons we chose, against anyone's educated guess, to spend part of an afternoon on a walk devoted to Rotherhithe, Bermondsey, and this feat of engineering, rather than on things we would have found interesting on our own.] So we went back to the Overground station (they call it an Overground line, although this stretch of it is clearly underground and, rather famously, under the river. People also drive on the parkway and park in the driveway) and got those couple of shots of this 8th Wonder of the World.
There you have it. More about a tunnel than I ever thought I would write. I'll post our final London video soon...
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7:11 PM
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Labels: architecture, engineering, history, literature, photography, travel
Sunday, January 06, 2013
Happy New Year!
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7:30 PM
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Labels: art, music, photography
Friday, December 28, 2012
Taking Stock
Getting to that part of the year where one takes stock. It's been a rough fall-into-winter - the Storm, the shootings, the subway pushings, the other evidence of Humanity's lack of humanity: these affect everyone, irrespective of what might be your personal drama (or family drama, or work drama, or some version of 'all of the above').
Let none of this mute your comfort and joy. Breathe in the beauty, live deeply, gather ye rosebuds while ye may. Or anyway, that's one idea.
Back to London.
The first viddy I put together uses a lot of images from the first couple days which are already represented here, so I'm going to skip that one for now. Here's one that's more food-centric covering the T-Day redux and the German Holiday Market on Southbank, along with shots from Bermondsey and Rotherhithe showing Execution Dock (where pirates would be hanged in gibbets) and the ruins of Edward III's hunting palace, including Holiday imagery that it's not quite too late in the Season to put out there.
Enjoy.
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2:30 PM
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Labels: history, holidays, London, photography, travel, video
Monday, December 17, 2012
What's Next
Leonard Bernstein had this to say in the wake of John F. Kennedy's assassination:
“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”Thanks to Clay Zambo for reminding me of that.
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11:12 PM
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